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:-)
St. John of the Cross is considered one of the foremost poets in the Spanish language. Although his complete poems add up to less than 2500 verses, two of them—the Spiritual Canticle and Dark Night of the Soul are widely considered to be among the best poems ever written in Spanish, both for their formal stylistic point of view and their rich symbolism and imagery.I immediately began to look for a church and was drawn to the Episcopal Church when we were living in Albany, Georgia. The vicar, Father Shipps, came to our home and eventually I and all my siblings were regular attendees. I then got married and moved away, but the religious seed that had been planted in my family continued to grow, and I believe all of my siblings are either Christians or agnostics (claim neither faith nor disbelief in a higher power).
With the humor of Bridget Jones and the vitality of Augusten Burroughs, Julie Powell recounts how she conquered every recipe in Julia Child's Mastering the Art of French Cooking and saved her soul.And then Nora Ephron, one of my favorite humorists and authors, produced, wrote, and directed the movie, using the story of Julia and the interest in Julie's blog and book as a parallel thread. One of the things that I found fascinating is her description of the comparison between the 1960s and the 21st century.
Note to readers: my photo challenge post is here!Do you notice that when you see a picture like this of fat people their faces are almost never shown? I wonder if this is to preserve a sense of their privacy or whether it's to make me feel like maybe this could be me. Here's a thought I'd like to run by you: Are advertising, economics, and obesity related? If so, how?
At another point in the movie, the main character, Wiesler, becomes enchanted by and sympathetic to the couple he is listening in on. "Wiesler's response to those feelings [...] move in on him imperceptibly, with very little telegraphing, making them that much more convincing," Zacharek writes. Podhoretz, reviewing the movie in The Weekly Standard, ascribes the subtleness of Wiesler's response to Mühe, the actor playing him: "That scene [...] is limned with extraordinary stillness and compressed emotion by Ulrich Mühe, an actor heretofore unknown outside Germany who gives a performance so perfect in this, and every other moment in the film, that it's almost beyond words."He becomes a transformed person, all because of dilemmas of conscience and decisions made one by one. And you have no doubt by the end that he is a really good person.
In his review for The New York Observer, Andrew Sarris wrote, "On balance, The Talented Mr. Ripley is worth seeing more for its undeniably delightful journey than its final destination. Perhaps wall-to-wall amorality and triumphant evil leave too sour an aftertaste even for the most sophisticated anti-Hollywood palate."I wanted to see the movie because of Matt Damon, who played this person so well that I knew why he made the decisions he did, but I wished he hadn't. And I wished I had not seen the movie, for the reasons described in the above quote.